Delivery term:
Certificate of authenticate: Signed by the gallery seller
Purchasing process: 100% security
€5,450.00
Gres chamotado con engobe y vidriado
40 x 40 cm
Delivery term:
Certificate of authenticate: Signed by the gallery seller
Purchasing process: 100% security
This artwork is available and will be delivered after the confirmation of your order. The transport includes the insurance for the value of the piece with full coverage of any incident.
You can pay by credit card, debit card or bank transference. The payment is completely secure and confidential, all the purchasing processes in Art Madrid MARKET are protected by a security protocol under an encrypted SSL certificate and 3DSecure by Visa and MasterCard.
You have 14 days to find the perfect place for your artwork. If you change your mind, you can return it and we will reimburse the price you paid. You will only have to bear the shipping costs of the return.
Lugo, 1902
The painter Maruja Mallo (Vivero, 1902 - Madrid, 1995) was one of the main artists of the “Generación del 27”, and a very important creator who traveled all over the world. The Galician artist moved to Madrid to study at the Royal Academy de Bellas Artes de San Fernando, where he established a great friendship with Salvador Dalí, but ended up leaving the academy because of his corseted system.
She lived nights of revelry and surrealist poetry with Dalí, Lorca or Alberti (with whom she lived an affair). Buñuel, on the other hand, could not bear it, perhaps because of Maruja's defense of free love and gender equality. Ortega gave him the facilities of his Revista de Occidente for her first exhibition in Madrid. Mallo was also part of “Las sinsombrero"", the young intellectuals who scandalized prudish society for daring to go out without that garment.
As an artist she cultivated a very special surrealism. Her style went through two different stages, a colorful one in the 1920s with magical, cosmopolitan and optimistic themes; and another gloomy and dull in the 30s, more chaotic and unbalanced. At this stage she also experimented technically incorporating organic materials (ash, lime…).