Delivery term: From 1 to 7 days
Certificate of authenticate: Signed by the gallery seller
Purchasing process: 100% security

€850.00
Mixed media on wood
30 x 20.5 cm
Delivery term: From 1 to 7 days
Certificate of authenticate: Signed by the gallery seller
Purchasing process: 100% security
This artwork is available and will be delivered after the confirmation of your order. The transport includes the insurance for the value of the piece with full coverage of any incident.
You can pay by credit card, debit card or bank transference. The payment is completely secure and confidential, all the purchasing processes in Art Madrid MARKET are protected by a security protocol under an encrypted SSL certificate and 3DSecure by Visa and MasterCard.
You have 14 days to find the perfect place for your artwork. If you change your mind, you can return it and we will reimburse the price you paid. You will only have to bear the shipping costs of the return.

Cuba, 1983
Gustavo Díaz Sosa (Cuba, 1983) is a contemporary painter, graduated with a Gold Medal from the San Alejandro National Academy of Fine Arts (2002), where he later worked as a painting professor. After his period in Cuba, he moved to Spain through a residency grant at Arteleku (San Sebastián), beginning a key formative stage between 2004 and 2007 in printmaking, lithography, and screen printing workshops, which consolidated his technical and conceptual language.
His work is rooted in a critical and narrative contemporary practice, focused on the human condition and its social tensions. Through urban landscapes, impossible architectures, and symbolic structures, he reflects on the fragility of the individual, power, and systems of control. Influenced by Kafka and Central European existential thought, his work addresses themes such as alienation, faith, death, and the search for meaning, constructing distopic universes where the human figure appears displaced within monumental spaces that overwhelm it. Among his artistic references are Joseph Beuys and Anselm Kiefer, from whom he draws a sense of gesture freedom, materiality, and the expressive power of painting as a conceptual tool.
Díaz Sosa has developed an extensive international exhibition career, with presence in major galleries, fairs, and public and private collections, establishing himself as one of the most recognizable voices in contemporary figurative painting with a critical and symbolic dimension.
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