Delivery term: From 1 to 7 days
Certificate of authenticate: Signed by the gallery seller
Purchasing process: 100% security

€630.00
Etching
57 x 46 cm
Delivery term: From 1 to 7 days
Certificate of authenticate: Signed by the gallery seller
Purchasing process: 100% security
This artwork is available and will be delivered after the confirmation of your order. The transport includes the insurance for the value of the piece with full coverage of any incident.
You can pay by credit card, debit card or bank transference. The payment is completely secure and confidential, all the purchasing processes in Art Madrid MARKET are protected by a security protocol under an encrypted SSL certificate and 3DSecure by Visa and MasterCard.
You have 14 days to find the perfect place for your artwork. If you change your mind, you can return it and we will reimburse the price you paid. You will only have to bear the shipping costs of the return.

Madrid, 1960
Mela Ferrer (Madrid) is an artist specialized in contemporary printmaking, collage, and mixed media on paper. Her practice is rooted in abstraction as a constructive and poetic language, where form, color, and material are arranged into visually balanced and spatially sensitive compositions.
She holds a degree in Fine Arts from the Complutense University of Madrid and received specialized training in intaglio printmaking at the School of Applied Arts in Madrid. Her artistic career spans more than four decades of research in contemporary printmaking and artists’ books.
Her work has been shown in major national and international fairs and exhibitions, including ARCO, Estampa, the Ibiza Biennial, the International Print Triennale in Fredrikstad, and the Varna Print Biennial, among others. She has also exhibited in galleries and art institutions across Europe, Asia, and Africa. Mela Ferrer’s work is included in significant institutional collections such as the National Printmaking Cabinet (Calcografía Nacional), the BBVA Foundation, and the Bilbao Museum of Fine Arts, among others.
Her practice is defined by a continuous exploration of the relationship between structure and gesture, where abstraction becomes a space for visual construction and poetic reflection.